Review: Madama Butterfly (Opera Australia)
Karah Son’s Butterfly soars in Graeme Murphy’s dizzying new bondage-inspired production.
Karah Son’s Butterfly soars in Graeme Murphy’s dizzying new bondage-inspired production.
The familiar pleasures of Sondheim’s masterpiece are refreshed by splendid performers and design.
A reflective Lang Lang marks his return to Australia with Mozart.
As Ermonela Jaho prepares to take on Donizetti’s Three Queens, beginning with Anna Bolena, Justine Nguyen talks to the soprano about the role’s challenges and delves into the origins of the trilogy.
The awards have renamed the Award for Distinguished Services to Australian Music in memory of the late music educator and conductor.
In the 2019-2020 seasons of 15 of the world’s top orchestras, only 3.6 percent of music was written by women, according to soprano Gabriella Di Laccio's DONNE, Women in Music project.
The Australian mezzo discusses the wide-ranging repertoire she'll be performing at this year's Australian Festival of Chamber Music.
Nicholas Carter couldn’t be happier with the way the ASO has nurtured and developed his career. But as he tells Jo Litson, with a new position in Austria, and other exciting international offers in his calendar, it’s time to put down the baton as Adelaide’s Principal Conductor.
Australian String Quartet violist Stephen King on making music part of everyday culture, playing in the dark, and the acoustic properties of a skateboard half pipe.
The Chinese pipa virtuoso talks to Limelight about playing with Yo-Yo Ma for the Clintons, working with composers Tan Dun and Ye Xiaogang, and collaborating across musical cultures.
Ensemble Offspring's micro-festival revels in the sheer pleasure of new music.
The Australian composer discusses the upcoming world premiere of a work inspired by the elusive, nocturnal bird.
Collected symphonies, a Spanish “pianist’s pianist”, and another win for Respighi.