Daniel Hyde: The new pair of hands sculpting the sound of King’s
Ahead of its Musica Viva tour, the new King's College Choir director talks about filling sizeable shoes.
Ahead of its Musica Viva tour, the new King's College Choir director talks about filling sizeable shoes.
The German violist talks about Bartók’s Viola Concerto, written in the final weeks of the composer’s life, inspired by the destruction of Hungary during WWII, and a fearsome challenge for musicians.
Fresh from representing Australia at the Tchaikovsky Competition in Russia, the Sydney flute player returned home to take out first place in the Festival's Open Flute Competition.
Daniel Rojas delivers a riveting re-imagination of Piazzolla’s tangos.
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Jordan’s non-period band offers Beethoven in a hurry.
Virtuosity meets expressiveness in imaginative new concerto.
Benjamin’s anticipated Written on Skin follow-up proves no anti-climax.
Kermes bursts with a passionate 15-part love letter to Handel.
Viardot’s 19th-century fairytale with 21st-century eco twist.
Cavalli gallops to the finishing line with exquisite music.
Kathryn Selby and friends – Daniel Dodds and Timo-Veikko Valve – deliver virtuosic playing and thought-provoking performances.
Lang Lang's playing has style but lacks intellectual rigour, while Kirill Karabits pulls off a near-perfect technical performance.