This year’s ABC Classic 100 managed to unite an ornery group of people with its hilarious stock images and predictable choices.
Tinalley String Quartet's second instalment of Mendelssohn Quartets excels on all fronts.
Brahms' German Requiem performed by the Canberra Choral Society and National Capital Orchestra was a real blessing during these trying times.
This concert was a fabulous survey of the classical guitar in ensemble, with superb, effortless playing by Karin Schaupp.
Review: Brisbane Gala – Southern Cross Soloists with Chris Williams; Daniel de Borah (Melbourne Digital Concert Hall)
This digital benefit concert, livestreamed by Melbourne Digital Concert Hall, was a terrific showcase of Brisbane's finest.
The winner of 3MBS's The Talent tells us about winning, Chopin, and Evgeny Kissin.
Co-Artistic Director Chris Howlett discusses how MDCH is spreading its embrace to more genres than ever.
These Handel chartbusters are as good as it gets.
The Recognition in Anthem Project proposes two new verses for Advance Australia Fair.
The breadth of the finalists for this year's Art Music Awards are a testament to the strength and resilience of Australia’s artists, despite the past year of cancellations and uncertainty due to COVID-19.
Review: The British Project – Walton: Troilus & Cressida (City of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla)
Walton’s orchestral wizardry rescued from obscurity.
Despite the huge obstacles the 32 competitors faced, forced to record in pandemic lockdowns and restrictions, this year's Sydney International Online Piano Competition was a five-star marathon event.
Artists from Victoria’s arts community have created a social media campaign called Performance of a Lifetime, overseen by the MSO, encouraging the public to play their part and get vaccinated.