Barenboim caps off his Australian performances with a revelatory Eroica.
Ormandy’s Bluebeard rides again, plus Edo, Martin and Maurane on Eloquence.
Daniel Barenboim brings his Brahms cycle with the Staatskapelle Berlin to a stunning conclusion.
"I was here 60 years ago in 1958 and nobody spoke about this," the maestro told the audience following the conclusion of his Brahms cycle.
In a masterful first performance, Daniel Barenboim and the Staatskapelle Berlin prove the audience is in good hands for this Brahms odyssey.
Despite notable ups and downs, Ian Whitney’s annual report into the number of Australian works performed by the major orchestras sees little improvement year on year.
SYO Chief Conductor Alexander Briger remembers the orchestra’s inspirational former chief and asks why youth orchestras don’t do more opera.
The renowned maestro brings the Israel Philharmonic to Australia for two concerts as part of his global farewell tour.
Players from regional towns across New South Wales will work with members of the acclaimed orchestra, joining them onstage for a special concert at the Sydney Opera House.
Andris Nelsons paints the two faces of Shostakovich.
The Latvian conductor talks to Limelight about his latest Shostakovich disc with the Boston Symphony Orchestra, Limelight's Recording of the Year for 2018.
David Robertson's Mahler Five suggests just how much the SSO has assimilated Mahler into its DNA.
Ahead of the orchestra's memorial concert, CEO Emma Dunch reflects on Richard Gill’s legacy with the SSO.