Opera Australia announces a digital Ring Cycle
The company is to present a fully digital, 21st-century staging of Wagner’s epic tetralogy in Brisbane in 2020, directed by Chen Shi-Zheng.
The company is to present a fully digital, 21st-century staging of Wagner’s epic tetralogy in Brisbane in 2020, directed by Chen Shi-Zheng.
Rossini’s grand musical showcase finally makes its Australian debut in suitably lavish, comic style.
An entertaining concert that gave a potted history of opera stretching back some 400 years.
Every element of Krzysztof Warlikowski’s production seems to work in perfect unison.
Its innovative livestreaming program, which introduces primary school students to opera, returns this month.
Samantha Clarke, a student of Yvonne Kenny's, has received the school's most esteemed award for soloists.
Rossini’s rarely-performed opera was written for the coronation of a king, with all the excess that entails. Director Damiano Michieletto explains how he got to grips with an opera that’s more showpiece than drama, and why he had to set it in an art gallery.
Vivaldian gem sparkles with dirty doings in the Byzantine Empire.
The 90-year-old composer used a megaphone to air his long-held grievances about Opera Australia as the houselights went down.
The inclusion of Andrew Schultz's opera at CIMF was an inspired stroke.
The scholarship provides the Opera Australia Principal Artist the invaluable opportunity to travel overseas and further develop her international profile.
A muse to Chopin, Berlioz and Liszt, Pauline Viardot was also an accomplished singer, pianist and composer. We celebrate the long life of one of the 19th-century’s brightest stars.
Sabata paints a multi-faceted portrait of Alexander the Great.