Mat Verevis will star as Tommy in the musical based on legendary British rock band The Who’s 1969 concept album.
Missy Mazzoli's opera, based on Lars von Trier's film, builds to a devastating finale.
The Prime Minister has advised against “non-essential” mass gatherings of more than 500 people, effective as of Monday, which will have a massive impact on the arts.
Impressive singing, but the storytelling leaves something to be desired.
New music group Ensemble Offspring, director Barrie Kosky, and arts editor Richard Watts receive prestigious awards.
Growing up, the Armenian-Australian soprano wanted to be the next Celine Dion. But as Justine Nguyen discovers, life had other plans for Natalie Aroyan, who is claiming her mantle as Australia’s next great Verdi soprano.
Missy Mazzoli has poured hope and light into her operatic version of Lars von Trier’s film headed for Adelaide. Tom Morris explains how he’s staging it, and why, as a man, he needed the composer’s blessing.
A King Arthur for our times from one of today’s great Purcellians.
Zippy Freischütz leaves room for the odd thrill and spill.
‘Ur-Boris’ is richly played, strongly sung, superbly recorded.
A period-sound, Freudian Dutchman sails a complex sea.
A rousing and triumphantly optimistic experience.
In an exciting start to the festival, this provocative production, with its stunning staging and symbolic imagery, will leave you pondering.