On International Day of People with Disability, Morwenna Collett explores the ways access and inclusion are gaining increased attention in the Australian music industry.
The new Canberra company unveils its inaugural season tomorrow. In an exclusive story, we reveal the two productions it will present next year.
The 40th anniversary season will feature Lorelei, a new Marriage of Figaro and Aida with Opera Australia, as well as a regional tour of Are You Lonesome Tonight, which combines opera and country music.
Next year will see the long-awaited return of Richard Meale’s Voss, as well as four world premieres by Australian composers.
The news of a staged concert of Voss in September follows the announcement earlier this month of two performances of Carousel in March.
The season includes the world premiere of the first opera performed in Noongar language, a new musical theatre work by Tim Finn performed in English and Tahitian, and a Figaro double.
Adelaide Festival Co-Artistic Directors Rachel Healy and Neil Armfield have been honoured with the Arts Leadership Award.
In his new book, Alex Ross walks fearlessly into the snake pit of opinion and, in his words, “restores the magnificent confusion of what it means to be a Wagnerian”. In this extract, he looks at Wagner, women and love.
The Festival de Ópera do Paraná in Brazil has become a headline cultural event, breaking down barriers and attracting wider and younger audiences.
The new-look Limelight magazine includes major features written by Mahima Macchione, Jane Albert, Carole M. Cusack and Alex Ross.
Das Rheingold will open at Melbourne's newly renovated Regent Theatre in February, with the Cycle culminating in 2023.
A visual feast for opera buffs and sticky beaks alike.
Male soprano Mariño is in luck with Gluck and Handel.