At a time when broad appeal and maximum sales are all important, Juan Diego Flórez has been notable for his deliberate narrow repertoire, concentrating almost exclusively on the 19th-century bel canto for which he’s ideally suited, while leaving alone swathes of the repertoire most star tenors can’t resist. This article is available to Limelight subscribers. Log in to continue reading. Access our paywalled content and archive of magazines, regular news and features for the limited offer of $3 per month. Support independent journalism. Subscribe now
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