At a time when broad appeal and maximum sales are all important, Juan Diego Flórez has been notable for his deliberate narrow repertoire, concentrating almost exclusively on the 19th-century bel canto for which he’s ideally suited, while leaving alone swathes of the repertoire most star tenors can’t resist. This article is available online for Limelight subscribers. LOG IN now or SUBSCRIBE to gain access and you could win a holiday for two to the Australian Festival of Chamber Music.
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