Review: Carmen (Opera di Roma, Palace Cinemas)
Bizet at Trump’s border wall brings back a certain relevance.
Bizet at Trump’s border wall brings back a certain relevance.
Opening night belonged to Australian soprano Helena Dix in the role of Queen Elizabeth I.
Strauss and Tennyson's Odyssey gets the full dramatic sweep.
The Russian coloratura takes her next vocal steppes.
A tribute to a legend, and a solo debut of rare drama and scope.
Giving Duprez his due: Michael Spyres' eloquent tribute delivers with top notes in spades.
The Aussie star won Young Talent Time at age eight. We caught up with the soprano ahead of her debut in The Merry Widow. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The mezzo’s latest achievement comes off the back of her 2017 Joan Sutherland and Richard Bonynge Bel Canto Award win.
Suzanne Chaundy talks about staging Donizetti’s Tudor Queens ahead of the final instalment, Roberto Devereux. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The November 2017 issue of Limelight Magazine is your ultimate 2018 Season Preview. Use our comprehensive guide of orchestral, chamber, opera & vocal, dance, theatre, musicals, galleries and festival events to plan your 2018 cultural calendar.
In his new opera of The Snow Queen, the composer draws on the storytelling power of myth and adds a dash of panto. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Some very good singing in this admirable venture was let down by the venue.
Constantine Costi presents a touching and zany triptych of works by Monteverdi and Bach.