Review: Anita Rachvelishvili (Anita Rachvelishvili, Giacomo Sagripanti)
A Georgian mezzo brings plenty of spice to bread and butter rep.
A Georgian mezzo brings plenty of spice to bread and butter rep.
Opera Australia has announced it will stage West Side Story as its 2019 HOSH – though AD Lyndon Terracini isn’t interested in the move-to-musical argument.
11 young singers will compete to secure their place in the final, where they’ll get a chance to take home the Marianne Mathy Scholarship.
Dalibor Jenis' hunchbacked jester isn't one to miss.
A fully-staged version of Rossini’s William Tell hasn’t been seen in these parts for over 140 years. But, as director Rodula Gaitanou says, so much of this work remains just as relevant to us today.
Soon to make her Australian debut in the role of Gilda, the Russian soprano talks about overcoming her scepticism about what is now a calling card role.
Singers from Australia and New Zealand will have the chance to secure their part of the $70,000 prize pool.
A superlative night at the opera, with thrilling singing and red-hot drama.
Ahead of her Australian tour, the coloratura soprano tells us about juggling Italian arias and Korean art songs as well as an upcoming blind date.
Ivo Van Hove’s new production of Mussorgsky’s Boris Godounov is sure to be a hit for Paris Opera.
Returning to Sydney in a role for which he’s won much acclaim, the American tenor makes the case for why Edgardo might just be crazier than Donizetti’s Bride of Lammermoor.
First Peach Melba, now La Dolce Jessica, a deconstructed trifle honouring soprano Jessica Pratt is on the menu at Aria Restaurant.
This modern opera, telling a tragic love story in reverse, is strong conceptually, but with a lot of haze.