Review: Gluck: Orfeo (Philippe Jaroussky, I Barocchisti/Diego Fasolis)
Gluck’s Orfeo gets an Italian accent courtesy of Diego Fasolis.
Gluck’s Orfeo gets an Italian accent courtesy of Diego Fasolis.
Verdi’s early middle period gem gets a good polish.
First recording of a Vinci opera preserved, all thanks to Handel.
Wagner’s magnum opus is seen in a new production with an enviable cast, A Little Night Music hits the stage, and Jessica Pratt returns with star mezzo Daniela Barcellona in tow.
Decca’s Birgit box and another rare opera from Sony’s vault.
Renée Fleming denies she’s calling time on her opera career, but she charmed in Carousel and has just released a Broadway album. As for taking on another musical theatre role, it’s a case of “stay tuned”.
Despite some melting moments, Kaufmann's Viennese fancy leaves you wanting more.
Beloved for her interpretations of the bel canto repertoire, and the beauty of her voice, the Spanish soprano dubbed La Superba has died at 85.
This youthful, celebratory take on the seminal work works well in its post-industrial setting.
A round-up of this year’s boundary-challenging US Festival, staged in various venues including a rock club, a museum and a world heritage site.
The October 2018 issue of Limelight Magazine is now on sale featuring Daniel Barenboim, Karina Canellakis, Teatro alla Scala Ballet Company, and much more.
Handel’s tyrants, kings and fathers brought to musical life.
Making her anticipated Victorian Opera debut as Debussy’s enigmatic heroine, high-flying soprano Siobhan Stagg relishes the challenge of unravelling her character’s many contradictions.