Given time, Kaufmann’s Moor will likely be more the merrier.
A woman’s-eye-view of the Scottish queen on disc at last.
Chinese star has her moments, just a shame about the band.
Blitzstein’s furious musical diatribe still packs a punch.
Richard Wagner’s comic masterpiece explores the nature of art. As Kasper Holten’s production for Opera Australia opens in Melbourne, we examine why it's become a controversial target of revisionism in recent decades.
This new commission gives an old story an entertaining makeover with style-hopping music, comedy and feminist attitude.
Shane Lowrencev has withdrawn from Meistersinger, leaving the company to find its third Hans a week out from opening.
The soprano, who dropped the double bass for singing lessons as a teenager, talks about Puccini’s heroines, her multifaceted career, and her upcoming star turn as a mermaid.
Ahead of its Australian premiere at the OzAsia Festival, we speak to director Kirsten Dehlholm about an opera drawing on Noh theatre and performed by the Latvian Radio Choir.
Friends and colleagues reflect on the life of the artist manager and founder of Diva Management, who lost her two-year battle with breast cancer earlier this month.
A report by Live Performance Australia has shown that much of Victoria's increase in audience and revenue share has been driven by musicals.
Artistic Director Patrick Nolan tells us about his first program for the company, at the centre of which are works by John Adams, Puccini and Gluck.
Duncan Rock makes a spectacular Don in this feminist production by Lindy Hume.