In his Opera Column for September, Greg Eldridge looks at how COVID has given rise to organisations with a greater focus on local communities and their values.
Brian Nebenzahl, the founder of Playbill, which publishes programs and organises merchandise for the performing arts in Australia and internationally, has died aged 86.
Charm meets passion in visually sumptuous staging of Gounod’s greatest non-hit.
The bumper October 2021 issue contains features exploring the Alice Springs World Chamber Orchestra, arts and the digital world, Max Richter's new album, Circa's classical collaborations, Henry Purcell's early years as a composer, and Australian dramatic soprano Marjorie Lawrence.
Pinchgut At Home will feature recordings of four of Pinchgut’s acclaimed recent productions in a digital season running until the end of the year.
Anne Cawrse, Melbourne Digital Concert Hall, Sydney Chamber Opera and Speak Percussion among those honoured at this year's Art Music Awards.
Thoughtful take on Sophocles’ bloody tragedy boasts at least two star turns.
Barrie Kosky returns to the Adelaide Festival with his third operatic production, Rimsky-Korsakov’s The Golden Cockerel.
Kurt Weill’s wonderful score of Street Scene is given a fine musical interpretation but proves to be a challenging work for the opera students.
Based in Europe, Australian soprano Alexandra Flood is back home for a few months and discusses her career, quarantine at Howard Springs, forthcoming gigs and making the most of it during COVID.
Post-revolutionary rescue opera at its most entertaining.
Three Melbourne-based artists have launched a petition calling for the arts to be included in our daily news services in a similar way to sport.
A new Fidelio in conversation with the greats.
