The elegant Sydney hotel is offering a new series of intimate recitals by leading musicians and performers, combined with high tea or a degustation dinner.
Artistic Director Linda Thompson tells us about the renamed Gertrude Opera’s pandemic experience, plans for the future and upcoming performance of David Lang’s chamber opera at Melbourne’s Federation Square.
Australian director Elijah Moshinsky, who had a distinguished career in opera, has died in London at the age of 75 after contracting COVID-19.
Janáček’s The Diary of One Who Disappeared is given an exquisite staging before a bold new work tears it to shreds in this intelligent and entertaining double bill from Sydney Chamber Opera.
Julie Lea Goodwin is gorgeous as the merry widow Hanna Glavari, and perfectly supported by Alexander Lewis as Danilo Danilovich.
Top-notch performers and engineering, led by an experienced Donizettian with a keen instinct for how to shape this music.
Weimar sauce makes a rediscovered Lehár operetta a lip-smacking treat.
Important 20th-century opera, well sung if uninterestingly staged.
The queen of bel canto turns her attention to Donizetti's rival queens.
Sexual freedom and the subconscious in Shakespeare’s A Midsummer Night’s Dream.
There’s more to Humperdinck than witches and gingerbread.
Natalie Aroyan and Diego Torre will reunite as Verdi lovers when Ernani has its first Sydney Opera House outing.
Victorian Opera has awarded the baritone the inaugural Michael Stubbs and Malcolm Roberts Opera Prize, worth $50,000.