Directing Pinchgut Opera's first fully staged opera since the pandemic began, Mitchell Butel draws parallels between baroque opera and jazz.
Virtual performances and moving acceptance speeches define a traumatic year.
Rebecca Cassidy, Xenia Puskarz Thomas, Timothy Newton and Sofia Troncoso will take part in the program this year.
Digital opera finally comes to Melbourne with this feast for eyes and ears.
The great German mezzo-soprano, whose remarkable 48-year career spanned opera and lieder, has died at the age of 93.
Victorian Opera showcases Bizet's opera at its best in this performance at the Sidney Myer Music Bowl.
When Melbourne Opera performs Macbeth next month audiences can see it live at the theatre, via a regular livestream or in 8K 3D via VR headsets.
Sir Simon Rattle and bass-baritone Gerald Finley talk to Clive Paget about how Janáček spun something so profoundly philosophical out of a tale of foxes in a forest.
A year after a terrifying bout of the coronavirus, with blood clots in her lungs, the Australian soprano has finally recovered and is about to play Vitellia in La Clemenza di Tito for Canberra's new National Opera.
The new Pinchgut Opera scholarship program honours the legacy of Taryn Fiebig, who was thrilled when the idea was proposed to her shortly before she died.
A brand new production of Offenbach’s The Tales of Hoffmann, starring Australian soprano Jessica Pratt, comes to Sydney alongside the return of Aida and Attila.
Contemporary dance illuminates Classical opera in Cherkaoui’s fluid staging.
Stacey Alleaume gives a glorious performance as Violetta in Opera Australia's restaging of the inaugural Opera on Sydney Harbour production.