Review: Beethoven’s Eroica (Australian Haydn Ensemble)
This fine concert featuring chamber arrangements of works by Wranitzky, Mozart and Beethoven provided a taste of live performances before the dawn of recorded sound.
This fine concert featuring chamber arrangements of works by Wranitzky, Mozart and Beethoven provided a taste of live performances before the dawn of recorded sound.
The AFCM’s Festival Finale was a fitting conclusion to the festival, with a pot-pourri of diverse musical pieces to suit all tastes.
An eclectic and quirky mix of musical gems and songs from film scores, offering both serious and light-hearted works, with many delightful moments.
The program’s promise of ‘music out of the blue’ delivered an overwhelmingly melancholic view of the beauty of music, inspired by the power of the oceans.
A beautifully realised Baroque program with two stunning oboe concertos.
The Kanneh-Mason family are a must-see – and you could well be part of musical history-in-the-making by being there.
Baroque music is far from being "all the same", as some believe, says Sally Melhuish, who writes here about the new styles and genres in Spanish Baroque music.
Clinton White reports from this year's Australian Festival of Chamber Music in Townsville, and talks with AD Jack Liebeck and culinary icon Maggie Beer.
One of Australia’s foremost violin pedagogues, who was a founding member of the ACO, has died at the age of 75, leaving behind a formidable legacy.
Fifteen experts from across Australia’s creative industries have been appointed to five panels that will identify key issues in safeguarding Australia’s arts sector and its vital role in the economy.
Finessed, insightful playing makes a strong claim for attention.
The ACO turns the spotlight on its charismatic and thought-provoking leader, Richard Tognetti.
The Australian Festival of Chamber Music continued over the weekend with the Governor's Gala, which featured the belated premiere of a 25th-anniversary commission for the Goldner String Quartet.