A magical VR realisation of the compelling music by William Barton and the Australian String Quartet.
Australian violinist Emily Sun felt daunted at the idea of recording her debut solo album of French repertoire, but it turned out to be such an amazing, intimate experience she felt sad when it was finished.
Many people are intimidated by new music because of a lifetime of sonic conditioning – a challenge Ensemble Offspring takes in its stride
Canberra-born soprano Chloe Lankshear, Pinchgut Opera's first Taryn Fiebig Scholar, tells us about her collaborations with the company so far.
Early music wins the laurels this month, from Jordi Savall’s medieval fiddle to David Skinner’s William Byrd and a trifecta of Handelian delights.
On the 500th anniversary of his death, we pay tribute to Renaissance composer Josquin des Prez.
Tinalley String Quartet's second instalment of Mendelssohn Quartets excels on all fronts.
Review: Brisbane Gala – Southern Cross Soloists with Chris Williams; Daniel de Borah (Melbourne Digital Concert Hall)
This digital benefit concert, livestreamed by Melbourne Digital Concert Hall, was a terrific showcase of Brisbane's finest.
These Handel chartbusters are as good as it gets.
The breadth of the finalists for this year's Art Music Awards are a testament to the strength and resilience of Australia’s artists, despite the past year of cancellations and uncertainty due to COVID-19.
The Australian Festival of Chamber Music, the OA Sydney winter season, and the Bangalow Music Festival are among the numerous cancellations as COVID restrictions remain in place in NSW and Victoria.
Applications for the 2022 Prelude Residency program are now open to composers of any genre at any stage of their career.
Erik Griswold's new work for Brisbane Music Festival was inspired by our current COVID predicament, and Cole Porter's song Ev'ry Time We Say Goodbye.