In his new work for the Australian String Quartet, the composer holds a mirror up to the form made famous by Joseph Haydn.
Louise Farrenc was the first female Professor of Piano at the Paris Conservatoire, so why haven’t we heard more of her music? Omega Ensemble’s Maria Raspopova pans for rediscovered chamber music gold.
The July 2018 issue of Limelight Magazine features guitar virtuoso Slava Grigoryan on why family is at the heart of music.
Nicolas Altstaedt and friends cap off a highly successful UKARIA 24 with a double bill of Schumann and Brahms.
From Schoenberg to Freddie Mercury, Geoff Nuttall's program is a jewel in Spoleto's musical crown.
Get your copy of Limelight Magazine's June 2018 edition featuring Anne-Sophie Mutter, Scott Rankin, Jessica Pratt and some of Australia's finest chamber ensembles.
The cellist and curator of UKARIA 24 talks about his love of chamber music and what working with living composers can teach us about the music of the past.
Forty years young: Canada’s finest continue to delight with a winning formula.
The pianist grew up in Sydney before study in Copenhagen. So what's it like climbing one of the peaks of the business?
An excellent festival with an exciting vision for the future.
The Orava Quartet's debut album on Deutsche Grammophon tops The Limelight Chart – our monthly list of Australia’s best-selling classical music albums.
Impressive Aussie/American led concert series proves music can be a religion.
Review: Kurtág: Complete Works for Ensemble and Choir (Netherlands Radio Choir, Asko | Scönberg Ensemble/Reinbert de Leeuw)
Good things sometimes come in threes, if you can take an hour.