Review: Happy Days (Red Line Productions)
Samuel Beckett's play may be celebrating its 60th anniversary but it still feels as timely as ever in this production starring Belinda Giblin and Lex Marinos.
Samuel Beckett's play may be celebrating its 60th anniversary but it still feels as timely as ever in this production starring Belinda Giblin and Lex Marinos.
Tim Minchin shows yet again that he is an artist at the top of his game with his inspired, witty and moving cabaret show BACK.
There is much to marvel at in L'Hôtel at the Adelaide Cabaret Festival but the show has structural issues.
Despite Grieg's blockbuster becoming a white-knuckle page turner, Piers Lane gave a magisterial performance with the Sydney Symphony Orchestra.
Combining contemporary and traditional dance, Bangarra's first full-length work in three years is stunning on every level.
Jessica Arthur has adapted and directed this American script for an Australian audience with warmth, wit and impeccable pacing in this Sydney Theatre Company production.
Back on stage after COVID interrupted its tour, the Australian production of Come From Away continues to charm as it arrives in Sydney.
The Adelaide Symphony Orchestra showcases its highly talented musicians in a program of 20th-century chamber works.
American Psycho: The Musical’s horrifyingly funny critique of late-20th-century consumerism earns its revival.
The Australian Haydn Ensemble explores some of the arrangements that allowed amateur musicians to recreate large-scale works in a domestic setting.
Plenty of landmarks in an evening of intense music from the Australian String Quartet.
State Opera South Australia delivers yet another successful revival as part of its Lost Operas of Oz program.
Queensland Ballet overcomes the dreamy romantic classic's testing sharp edge.