You are here

★★★★½ Cutting edge Beethoven from La La Land foursome.
★★★★½ Greta Bradman shines in her first outing for Opera Australia, in Edwards' Weimar Bohème.
★★★★☆ This farcical play-within-a-play is a real hoot.
★★★☆☆ An interesting darker take on Michael Gow's beloved play, though some of the magic is lost.
★★★☆☆ Drawn from Jonathan Young's own experience, Betroffenheit is a bleak unrelenting stare at raw human grief.
★★★★☆ Robertson’s wild, dancing programme is a fascinating study in orchestral colours and textures.
★★★★☆ Krymov's puppets tell a darkly visual tale of Shostakovich and his time.
★★★★☆ Declan Greene's queer farce gets audiences laughing hard and thinking even harder.
★★★★½ Simon Russell Beale’s Prospero really is such stuff as dreams are made on.
★★★★☆ An attractive concert of chamber favourites kicks off Omega's year.

Pages