Cutting Edge: White Bay Sonics
Elizabeth Jigalin and Oliver John Cameron discuss their new site-specific work Sonant Traces, which has its world premiere at Sydney’s White Bay Power Station this month.
Elizabeth Jigalin and Oliver John Cameron discuss their new site-specific work Sonant Traces, which has its world premiere at Sydney’s White Bay Power Station this month.
The first grand opera in Arabic opens in Saudi Arabia this month. Australian composer Lee Bradshaw tells us how he came to write the score.
This month, Guy Noble relives the magic of seeing two musical geniuses perform live.
An enthralling Vivaldi survey is our Recording of the Month, alongside dynamic new releases from Lang Lang, Piotr Anderszewski and Sir Simon Rattle.
Opera Queensland’s CEO and Artistic Director introduces Brisbane Bel Canto, a new festival opening this month.
This month’s concert highlights from ABC Classic, independent radio and streaming.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
A round-up of our recent news reports.
The latest arts appointments and departures.
Like his silent comedy hero Buster Keaton, pianist-composer Ashley Hribar prefers to work without a safety net.
The SSO’s Principal Guest Conductor strives to create a transformative experience in every concert he designs.
Ahead of its world premiere at Canberra International Music Festival, composer Andrew Ford talks about the evolution of a hymnal to the land.
Ahead of Omega Ensemble's Australian premiere of her new work, composer Jessie Montgomery tells Limelight about life and work post-Grammy.