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He sometimes gets a rough ride in matters of musical craft but we underestimate the emotional eloquence of Bellini at our peril.
The mezzo on the prevalence of domestic violence and why she believes “Cavalleria Rusticana is absolutely contemporary”.
★★★★☆ Symphony for one: Mahler’s song cycle gets the full Kaufmann treatment.
Ahead of her performance in Two Weddings, One Bride, the singer nominates three musicals she'd happily never hear again.
The Canadian bass-baritone says there's no excuse for the Finnish composer's songs not to be present in more recital programmes.
Currently singing with the OA chorus in Carmen, young soprano Laura Scandizzo is about to perform Race for the Sky.
Growing up in Argentina, he joked about imitating women’s voices and studied bel canto because no-one taught countertenor.
Phoebe Briggs on the pleasures and challenges of conducting Respighi’s rarely heard marionette opera for Victorian Opera.
Limelight wants you to tell us who you think deserves to be crowned king or queen of the operatic stage.
The renowned Australian stage director’s love of music and opera goes back to school days at Homebush Boys High.