Review
Liverpool scores a goal with their Russian maestro’s Rachmaninov 2.
Article
Why did Rachmaninov spend decades revising his Piano Concerto No 4 when there was nothing wrong with the original?
Gallery
Young Performers Awards finalist Jeremy So plays Rachmaninov's Second Sonata.
Article
The British virtuoso gave Young Performers Awards finalist Jeremy So some pointers at the piano.
Review
Pixelated pianist no more; a YouTube star in the real world.
Review
Long live Lang Lang – Almost a decade of pianistic flair all boxed up.
Article
Sydney Opera House Concert Hall, Aug 3
Replacement maestro Hrůša handles the heavy artillery of Brahms and Rachmaninov
Review
Pianist James Rhodes plays (and talks) up a storm.
Article
The most influential legendary pianists, as voted by modern day masters of the instrument.
Review
Rapturous Rach Three from this astonishing young Russian pianist.
Review
Chandos and Sir Andrew Davis have put us in their debt for unearthing these scores.
Article
A panel of more than 100 of today’s leading concert pianists chooses the Russian virtuoso.
Article
The Russian virtuoso talks Moonlight Sonata and Ashkenazy ahead of his return to Australia.
Review
Sokhiev's interpretive insights in Rachmaninov do much to recommend this disc of Russian orchestral music.
Review
Enjoyable compilation from the 2009 festival
Review
A distinguished line-up tackle Tchaikovsky’s Trio
Review
Ashkenazy recorded the Rachmaninov Symphonies many years ago with the Royal Concertgebouw Orchestra and the first movement of the Second was played and conducted at a much higher voltage than here.
Review
This truly dazzling but heartfelt homage to Mordkovich’s mentor David Oistrakh contains only one work – Chausson’s Poème – from the mainstream repertoire and showcases Mordkovich’s wonderful technique as much as her fiery commitment and perceptive playing.
Review
Adam Herd may be sporty, but he’s also a superb pianist, as his debut release proves.
Review
With this disc Vladimir Ashkenazy bestows a great gift to music lovers by returning so many of Rachmaninov’s early long-lost instrumental works to the fold.
