Article
Pianist Sergio Tiempo was championed from childhood by Martha Argerich; now 41 years old, he’s still every bit the fresh-faced wunderkind.
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The maestro leading one of Australian opera's largest and most expensive undertakings calls it quits, citing issues of "personal chemistry".
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Ahead of her Australian dates, the German violinist talks music, Mendelssohn and staying up late with Ivry Gitlis.
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Opera Australia celebrates the great man’s birthday with a life-sized Valkyrie helmet cake.
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John Adams’ masterpiece is done full justice, proving itself the late 20th century’s great opera of ideas.
Gallery
Victorian Opera bring John Adams' 20th century operatic masterpiece to Melbourne in its first home-grown Australian staging.
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The Production Company’s home-grown hit steals the limelight from OA’s South Pacific.
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Best of British compilation includes exciting surprises from lesser-known artists (some of them even Australian).
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Hamer Hall, Arts Centre Melbourne, April 26.
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The radiant Swedish soprano takes on Strauss and Sibelius at the Melbourne Recital Centre.
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Victorian Opera bring an Australian perspective to bear on Nixon in China, John Adams’ “hit” music drama.
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The Melbourne-based new music ensemble is on a mission to make challenging and abstruse contemporary classical music accessible to all.
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On the eve of his Australian tour, bass-baritone Bryn Terfel chats intimately about Wagner, Verdi, viticulture and the NSW Golf Club.
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He composes, performs and conducts fiendishly difficult music with prodigious ease. What makes the British polymath tick?
Article
Kneehigh's Brief Encounter and Sylvie Guillem in PUSH will headline at this year's Festival.
Review
Melbourne does Mahler: an Australian Resurrection.
Article
On the eve of his latest Australian performances we catch up with the globe-trotting gambist.
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Catching up with the youngest ever winner of the Van Cliburn Competition as she heads to Australia.
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German hip-hop dancers break with tradition to prove that Bach is pretty fly for a dead white guy.
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Bad luck comes in threes as Barry Otto becomes the latest star to pull out of an Australian stage production.
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Turning the tale of a WWI veteran into an orchestral score.
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Chinese opera stars head to Melbourne for the New Year - just don’t expect the Blue Danube.
Article
The Houston opera company says “no thanks” to planned Neil Armfield production of Wagner’s Ring Cycle.
Gallery
Pianists pop out of a Bechstein hidey-hole to play Beethoven's Ode to Joy.
Article
Beethoven’s Ode to Joy like you’ve never seen or heard it!
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The composer-pianist was in demand in Europe, working with Ennio Morricone.
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Ahead of her Australian tour, the Korean diva answers Facebook and Twitter questions.
Article
The kooky violinist formerly known as Hahn-Bin on what to expect at the Melbourne Festival.
Gallery
Part chamber opera, part performance art: The Minotaur draws inspiration from Monteverdi's famous lost opera.
Article
Dutch composer Michael van der Aa's existential opera is guaranteed to get audiences thinking.
Article
In
Jazz -
Melissa Lesnie -
Sep 13, 2012
The Steinway artist, a self-confessed "diva", skirted the piano at his Radio National interview.
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The Welsh bass-baritone will sing with the Melbourne Symphony in Davis' inaugural concert.
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Accordionist Richard Galliano says the father of modern tango was “a second father” to him.
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The British pianist's two-year Schubert world tour is giving him new insights into the composer.
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Classical music’s most extreme hipster reinvents himself with a striking new stage name.
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Lyndon Terracini presents a tale of two operatic titans in two cities.
Gallery
After a $135.8 million rebuild, Melbourne’s once-dodgy Hamer Hall may just be the country’s finest concert venue.
Article
Young Czech conductor Jakub Hrusa to take his place at the podium.
Gallery
Falla's quirky one-act opera uses shadow puppetry to bring the world of Don Quixote vividly to life.
Article
The "Pavarotti of the organ" was the "catalyst" for the restoration of Melbourne's fine instrument.
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A triumphant homecoming to Hamer Hall for the MSO, conducted by an old friend.
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At the age of 103, the US composer remains an incisive critic of modern life, nowhere
more so than in car-crash opera What Next?
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Brett Sheehy to end his collaboration with the Melbourne Festival after a four year tenure as Artistic Director
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Opera Australia is about to release tickets to its 2013 Ring Cycle. But who stole the Rhinegold?
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Melbourne Recital Centre, July 10
Lasting impressions of a great recital
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The French pianist has a very French attitude to playing Debussy and Ravel.
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Conducted by Andrew Davis
Monday 25 June 2012, Melbourne Town Hall
Poulenc on steroids in this over-the-top performance.
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Do the musicians think the Melbourne Arts Centre's $128.5 million renovation was worth it?
Article
Delving into the "maestro myth": why are our best conductors overlooked?
Gallery
This beautiful improvisation on Henry Purcell’s music saw Melbourne's Malthouse Theatre transformed into a living room.