Classical meets jazz here, as operatic mezzo-soprano Anne Sofie von Otter mixes it with jazz pianist and composer Brad Mehldau in a two-disc tribute to love in all its forms, from elation to deflation and regret.
The first disc is the closest to the classic art song in style, allowing Anne Sofie von Otter to give full expression to these songs. Five are settings by Mehldau of poems by the early American poet Sara Teasdale, with one poem each from e.e. cummings and Philip Larkin. Von Otter invests these with plenty of rubato and emotion; this is her disc.
The second disc shows more freedom in a light pop-jazz way. Although von Otter confesses she dares not try improvisation, she is able to cope easily with Mehldau’s mildly swinging approach to standards by composers including Richard Rodgers, Joni Mitchell, Lennon-McCartney, Bernstein and a group of French masters of the genre, including Michel Legrand and Jacques Brel. She does this by mainly observing rhythm and melody and lightening up the intense interpretative expression we heard earlier. Lightness is the key.
It is a pleasant compilation, but one disc might have sufficed. The first grouping is not varied enough in mood to sustain interest throughout; the second disc never quite takes off into the heights of great singing or inspired jazz. Still, it’s a worthy first effort for these collaborators and next time around could see take-off.
What are your thoughts on this article? Have your say and leave your comments below.
Please read our guidelines on commenting
. Offending posts will
be removed and your access may be suspended. Abusive or obscene language will not be tolerated. The comments below do not necessarily
reflect the views or opinions of Limelight, Haymarket Media or its employees.