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Limelight obtains exclusive details of cuts to the ABC’s classical music station.
| Nov 24
Period Schubert's the next step in Richard Gill's new musical revolution.
| Nov 24
A slow start with Brahms gives way to Elgar's emotional riches.
| Nov 24
Russian violinist Alina Ibragimova gives an astounding performance of Sibelius.
| Nov 24
A gripping interpretation of Shakespeare's classic tale.
| Nov 24
Nothing makes a bad opera like a bad libretto. And when it came to sorting out the textural wheat from the chaff, Gluck knew a thing or two, writes Erin Helyard.
| Nov 21
We ask the winner of this year’s ABC Young Performers Award about her musical start in life and how she secured a prized place at the Curtis Institute.
| Nov 21
Damien Ricketson's immersive exploration of secret music is a trail-blazing triumph.
| Nov 21
Media Watch report of "big cuts" in classical radio broadcasting to be confirmed on Monday.
| Nov 21
University of Sydney professor finds no argument to prove Anna Magdelena's compositional authorship.
| Nov 20
We all know Australia loves opera. But is the future of the art form under threat?
| Nov 20
A marathon effort of Mahler’s challenging Resurrection Symphony.
| Nov 20
Composer Ross Edwards on carols, trenches and the century old Christmas truce.
| Nov 20
Anthony Marwood and George Enescu co-star in an exquisitely conceived program.
| Nov 20
Australia's favourite conductor shares his seasons greetings.
| Nov 20
Guest Editor Richard Gill chooses his favourite pieces of music for the 12 days of Christmas.
| Nov 20
Company comes under fire after seeking unpaid supernumeraries for Aida.
| Nov 20
Jonathan Meese brands Wagner festival organisers “cynical liars.”
| Nov 19
French keyboard wizard reveals his classical side and revels in Ravel.
| Nov 18
Acclaimed imports and co-productions make up the backbone of WAO's next season.
| Nov 17

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