Review
While other singers of this stature (50 gold records, no less) churn out the old hits and count the megabucks, Streisand is still releasing new material that stands strong on its own merits, such as this stunning disc.
Review
In
Film -
Lynden Barber -
Oct 26, 2011
Great play, bad film: fine performances stymied by screenplay.
Review
Compelling Cello – Move over, Jacqueline du Pré: there’s a new kid on the Bloch.
Review
Brahms's chamber music illuminated by two young Americans that could have been born to perform these works.
Review
The young pianist's brilliant technique and interpretive maturity holds him up to the highest standards.
Review
Schaupp and the Flinders Quartet combine fiery eloquence with sparkling wit and reflective calm.
Review
Edwardes colours everything she plays with exuberance, intelligence and sensitivity and offers us here a great percussion primer.
Review
Not what you might expect from this experimental legend.
Review
Lacking inspiration: the playing is a joy, the reading less so.
Article
What actually is “perfect pitch”? And if you don’t have it, can you acquire it?
Review
Spirited symphonies: Dudamel proves good things come in threes.
Review
The Sixteen are alert to every expressive possibility while maintaining a warm, glowing sound throughout this marvellous disc of contemporary sacred music.
Review
Calamitous crossover: Garrett’s musical experiment goes wrong.
Review
This spirited Australian violin concerto made No 45 in ABC's Classic 100 20th Century.
Review
The final disc in Mark Padmore and Paul Lewis’s triptych of the great Schubert song cycles finds them as emotionally attuned to the music and to one another as in previous volumes.
Review
Amos goes classical: Night of Hunters is mostly successful.
Review
Whether singing trouser roles or conducting, Stutzmann is a leading lady of distinction.
