McVicar’s startling production for Covent Garden puts the opera in the composer’s own time: the decadence and debauchery of 1870s Paris. Between towering cathedral columns and the crumbling proscenium arch of the theatre, Faust’s terrible pact plays out in all of its sinister splendor. Photography by Lisa Tomasetti. At the Sydney Opera House until March 13.
For the first time ever, a concert by the Sydney Symphony Orchestra has been projected live onto the sails of the iconic Sydney Opera House. The Viennese night, presented in conjunction with the Vienna Tourist Board, included stunning visuals of the Austrian capital itself, along with its artistic and cultural landmarks.
"Fat” is a powerful little word, full of baggage and judgement. This undaunted dance production makes use of real-life experiences and stories to challenge aesthetic norms and reclaim a performative space for people with large bodies. In her final work as Force Majeure’s artistic director, Kate Champion collaborates with artist and fat activist Kelli Jean Drinkwater to celebrate the sculptural splendour of the fat dancing body. Photography by Heidrun Lohr, Toby Burrows, Kate Blackmore and Prudence Upton.<br>
<b>Nothing To Lose appear at Melbourne's Malthouse Theatre March 11-21</b>
At last they are alone. The man hunt, the interrogation, the prayers, all forgotten as he leers at his conquest. Just sign the note of safe passage and she’s his! Where’s that pen? His upper lip sweats as he readies himself for Tosca’s kiss. He doesn’t see the knife glinting behind her back. Photography by Branco Gaica.
In a wondrous world of riddles and hidden treasure, bumbling Jack Hare is on a race against time to deliver a message of love from the Moon to the Sun. Far, far away in a world just like ours, a mother cheers her son Joe with the tale of Jack Hare’s adventure. But when Jack’s mission goes topsy-turvy, Joe and his mum come to the rescue, and the line between the two worlds becomes blurred forever.
One of the world’s greatest circus performers, James Thierrée has lured Sydney audiences inside his surreal imagination three times before, in The Junebug Symphony, Bright Abyss and Au Revoir Parapluie – but nothing will quite prepare you for the sublime pandemonium that awaits you in Tabac Rouge.
In 2014 Pinchgut Opera will perform Gluck’s Iphigénie en Tauride. This is a masterwork, rarely performed and understood. 2014 marks 300 years since Gluck’s birth and we would like to mark this occasion with a work by a composer who is only remembered for a couple of pieces. Iphigénie en Tauride draws all of Gluck’s opera reforms to their natural conclusion and a work of great power and beauty is the result.
A lover and a fighter, Cyrano de Bergerac is a man’s man. Peerless in battle and heroically eloquent in love, what he lacks in physical allure he makes up for in swordplay and wordplay. In this lavish production, Richard Roxburgh dons the nose that launched a thousand quips. With the irresistible panache that Australian audiences have fallen in love with time and again, Roxburgh proves that the brain can be the greatest erogenous zone.