Australia's top coloratura sings Mozart and talks training, top notes, bel canto, bosoms and Bonynge.
Manuela Hoelterhoff suggests the Met finds another Music Director to make the experience more "pleasant".
How the countertenor, who started out as an actor, found his voice singing baroque opera’s shadier characters.
Leading soprano withdraws at a month's notice claiming that Margueritte is "not right" for her.
Kasper Holten’s take on Tchaikovsky’s 'road not taken' romance hits home in a Royal Opera co-pro.
La Fura dels Baus have worked on the world's largest stages. Director Àlex Ollé reveals some of the plans for Sydney Harbour.
Who was hot and who was not in the LGBT world of classical music? These composers will float your mardi gras float!
Opera Queensland’s new production ain’t your average Baroque chamber opera.
Covent Garden's Tsar brings Eugene Onegin to Australia and talks Tchaikovsky, childhood and the future of opera.
Christine Goerke is an earth-shattering Elektra in David Robertson’s revelatory take on Strauss’ Greek tragedy.
Australia's leading coloratura talks about her new Mozart CD and how she gets to the top (and stays there).
Opera Australia's new Verdi tops the poll with Melbourne Theatre Company the other judges favourite.
The Wagnerian soprano who thought she'd never sing again is looking at a fuller diary than ever.
Handa Opera on the Harbour, the Melbourne Ring and Stuart Skelton all make this year's nominations.
Eight young artists to get hands on practical experience with a major opera company.
Forget the sexy tones of 'Je t'aime', classical music has sultrier sounds and bigger climaxes to offer wannabe Valentines.
Otello on an aircraft carrier sails on a sea of orchestral pleasures if short of a proper captain at the helm.
American professional audition service will make their first visit down under, in a quest for local talent.
German conductor noted for his exploration of the byways of the German and Czech repertoire passes at 78.
Zambello’s handsome Carmen is graced by some fine performances, and not just from the horses.