Albert Roussel
Symphony No 3 in G minor (1930)
Koussevitzky commissioned Roussel’s (1869-1937) Third for the Boston Symphony’s 50th anniversary in 1930, along with Stravinsky’s Symphony of Psalms. The work’s propulsive rhythmic figures recall Beethoven, yet there is also a French playfulness combined with 20th-century acidity in the harmonies. A strong recurring motto holds the structure together, appearing in the opening movement, then as the thematic basis of the slow movement, and finally as a punchy coda to the work as a whole. The symphony’s strength is its tremendous drive and energy. Like Beethoven’s Fifth, it sweeps the listener along in its wake. PS
Essential recording
Symphony No 3; Bacchus et ArianeRoyal Scottish NO/
Stephane Denève NAXOS 8.570245
While this symphony has had excellent recordings from Munch, Cluytens, Bernstein, Boulez and Eschenbach, the Naxos version with Denève holds its own. It is well recorded, played with plenty of vigour, and coupled with Roussel’s equally representative ballet score Bacchus et Arian
What are your thoughts on this article? Have your say and leave your comments below.
Please read our
guidelines on commenting. Offending posts will
be removed and your access may be suspended. Abusive or obscene language will not be tolerated. The comments below do not necessarily
reflect the views or opinions of Limelight, Haymarket Media or its employees.
